Community Calendar

Peek behind-the-scenes of our chocolate factory to get a high-level overview of the chocolate-making process, from bean to bar! This event is great for families, corporate groups, bachelorette weekends, and anyone new to chocolate or curious about where their food comes from. You’ll get to taste warm, flowing dark chocolate from our tempering machine, and you’ll get to sample our single origin 75% dark chocolate bars.

Get crafty for the holidays! Create simple designs on linoleum blocks to print on cards or gift tags, or to make your own wrapping paper. You will learn about designing a simple shape, using carving tools, and making variations in your prints. All tools and materials are provided. For ages 13+.

Attendees will enjoy a welcome drink while we give a brief introduction to our bean-to-bar, dark chocolate making process. Ingredients for decorating will abound and inspire, and you'll learn a few tidbits about how we invent flavor combinations for new delicious, sweet products at our chocolate factory. We will fill chocolate bar molds with luscious 75% dark chocolate, and you will get to decorate chocolate bars with local ingredients, like flowers, salt and fruit. While bars are setting up, we will lead a 20-30 minute chocolate tasting experience while you sip on perfectly paired wines to enhance the flavors. We are happy to provide a non-alcoholic tasting experience for anyone in the group who might require that. Your custom chocolate bars will go home with you in beautiful, resealable Twenty-Four Blackbirds pouches. Don't miss out on this delicious experience!

The Ojai Film Society’s beloved outdoor film series is back at Libbey Bowl, running on select Fridays from July 25–October 3. This year’s theme, Imagine A World, invites audiences to gather under the stars for films that spark creativity, connection, and conversation.

All screenings are free and begin at 7:30 PM.
Walk-ups welcome; RSVPs encouraged.

Here's the line-up:

July 25: Sally

August 8: The NeverEnding Story

August 22: The Greatest Night in Pop (with director Bao Nguyen in attendance)

September 5: 9 to 5

September 18: Speak. (with director Jennifer Tiexiera in attendance)

October 3: Close Encounters of the Third Kind

👉 Learn more & RSVP: ojaifilmsociety.org

UCSB Library presents an art installation by artist Elena Yu, exploring histories of the Ethnic and Gender Studies Collection (EGSC) and space in celebration of its 30th anniversary.

In Fall 2023, Yu was invited to create artworks in response to the history of the EGSC. The artist was drawn to two untouched back rooms - former staff offices left exactly as they were when vacated in 2022. Inside, decades of belongings sat frozen in time. In February 2024, the Library was preparing to renovate the rooms. Librarians had sorted and removed items to be sent to the University Archives and gave Yu access to use the remaining materials in her artworks. She was inspired by encountering ephemera related to the history of Ethnic Studies at UCSB and the day-to-day occupations of the library staff, including file cabinets full of book dust jackets and printed correspondences, and bulletin boards whose contents speak to the specific interests of former staff, who were charged with the upkeep of the collections and space.

This exhibition is part of a campus-wide arts partnership with the UCSB Arts Equity Commons (AEC) to support opportunities for engagement of faculty, students, and staff through the presence and practices of contemporary artists. AEC was established in 2022 as a consortium of the Department of Art, Department of History of Art and Architecture, and the Art Design & Architecture Museum through a systemwide grant from the UC Office of the President. The artist would like to thank Gary Colmenar, Angel Diaz, Alyce Harris, Sara Kelly, Marisol Ramos, Jonathan Rissmeyer, and Kim Yasuda for their support of this project.

This exhibition showcases historic Broadway posters from collector Richard C. Norton, a comprehensive selection of musical theater posters 1972 to the present ranging from the famous to the obscure, from the celebrated to the damned. These posters offer insight into the evolution of American musical theater, graphic design, marketing, image branding and audience engagement. Far more than advertisements, they reflect the artistic, social and commercial contexts of their time—revealing how productions were first introduced, how stars were celebrated, and how visual trends paralleled theatrical innovation. As ephemeral objects, their preservation provides rare evidence of the material culture surrounding performance. By examining these posters through an academic lens, we can better understand Broadway’s influence on American theater, music and popular culture. The exhibition invites viewers to explore how theater has been represented and remembered, and how visual media contributes to the construction of cultural memory.
The exhibition will be accompanied by a lecture featuring Nicholas van Hoogstraten, author of Broadway Poster Art: 1945–1969 (Schiffer Publishing, 2024).

About the Richard C. Norton Musical Theater History Collection:
The Richard C. Norton Musical Theater History Collection consists of materials documenting musical theater including 25,000 playbills, 800 typescripts, and 1,500 published libretti, as well as sheet music and 78rpm records. Norton is the author of A Chronology of American Musical Theater (Oxford UP, 2002) a landmark work with details on thousands of Broadway productions. The collection was assembled to support the research for his book.

"Through most of our lives and work, Cedric and I have had deep commitments to collaboration, internationalism, and solidarity movements."
–Elizabeth Robinson, 2024

This exhibition documents the life’s work of Cedric J. Robinson and Elizabeth Peters Robinson, placing it in the global context of the Black radical tradition. The Robinsons were renowned for their seminal scholarship and activism that had wide-ranging influence at UC Santa Barbara (UCSB), in academia, and across many public arenas. The exhibition is drawn from the Cedric J. and Elizabeth P. Robinson Archive (“Robinson Archive”) and supplemented by a variety of materials from other collections in UCSB Library’s Special Research Collections, as well as personal contributions from Elizabeth Robinson.

A deeply influential educator, Cedric Robinson (1940-2016) was a well-known scholar of racial capitalism and the Black radical tradition, and an active participant in political movements, both at home and internationally. For more than 30 years, Elizabeth Robinson has been an educator, social worker, former associate director for media at KCSB-FM radio, activist, and community media producer.

This exhibition was curated by Yolanda Blue, the Library’s Curator of American and International History, Politics, and Cultures Collections, in collaboration with New York University and UCSB Library staff.

Join us for Saturday morning art adventures in the EE Makerspace above Art from Scrap.

All materials provided - just bring your imagination!

Kids 5+ (adults must stay in the Makerspace with their child).

Projects may use hot glue guns - safety first!

Bay Area–based artist Julia Goodman creates hand-formed paper sculptures from reused textiles, expanding the possibilities of handmade paper through a focus on sustainability, texture, and history. Drawing on the overlooked tradition of gathering rags for papermaking, she collects cotton bedding and t-shirts from family, friends, and thrift stores. These materials—embedded with traces of everyday life—bring forward the unseen labor of women and caretakers, past and present. Goodman tears and pulps the fabrics, forming and pressing them into shapes and textures that recall the moon, the imprint of her gripped hand, and the folds of bedsheets and t-shirts. Colors emerge directly from the original fabrics or by mixing together differently-colored fabrics—without dyes or pigments. In recent work, washes of watercolor respond to layered shapes and surfaces in her work.

For her exhibition at SLOMA, Goodman offers tactile, alternative ways to experience time. The wrapped sculpture An Unimaginable Unit of Time, begun in March 2020, marks the personal and collective passing of days during the pandemic. Each day, she formed an imprint of her grip in pulp along strips of torn bedsheets, resulting in a continuous line that ultimately stretched 0.95 miles. In Waning and Waxing, Goodman carves moon phases into large textured calendars, recording the eleven months she mourned her father and, years later, the nine and a half months of her pregnancy. Through handmade materials and labor-intensive rituals, Goodman’s work holds space for cycles of love and loss, connecting us to the rhythms of time.

Siji Krishnan’s paintings invite viewers into a world where memory, myth, and daily life intertwine. Working primarily on delicate rice paper, she builds up translucent layers of watercolor and oil to reveal figures, landscapes, and hidden details. Her images often feel dreamlike—ponds shimmering with light, grasses bending in the rain, or figures dissolving into their surroundings—suggesting the ways that identity, home, and belonging are shaped by both what we see and what lies beneath the surface.

The exhibition The Secret Place brings together recent works from Krishnan’s Los Angeles debut, alongside five new large paintings created in her studio in Kerala, India. In these new works, Krishnan replaces her more figurative elements with water, plants, and sky. The natural world of her home—backwaters, monsoon rains, and village ponds—becomes a central motif, a site of both refuge and transformation. Themes of fertility and motherhood, community, and renewal flow through her practice, informed by her experiences of raising a child and the shifting boundaries between self and environment.

Krishnan’s art asks us to look slowly and closely. Small details emerge—an animal, a flower petal, a shadow of a figure—like secrets discovered over time. Both intimate and expansive, her paintings transcend cultural and geographic boundaries, embodying the Upanishadic (ancient Indian sacred philosophical texts) philosophy vasudhaiva kutumbakam: “the world is one family.”