Community Calendar

More than 1,200 UCSB students annually participate in the UCSB Education Abroad Program (EAP) to study, intern, and conduct research in 35+ countries, earning UC credit toward majors, minors, and general education requirements. Returning students are invited to share their most memorable images from their time outside the United States with EAP.

Curated by EAP staff, this exhibition showcases standout submissions from EAP’s annual photo contests. Through these eye-catching photographs, students share their experiences living abroad with the campus community and highlight how EAP has enriched their undergraduate education at UCSB.

"Through most of our lives and work, Cedric and I have had deep commitments to collaboration, internationalism, and solidarity movements."
–Elizabeth Robinson, 2024

This exhibition documents the life’s work of Cedric J. Robinson and Elizabeth Peters Robinson, placing it in the global context of the Black radical tradition. The Robinsons were renowned for their seminal scholarship and activism that had wide-ranging influence at UC Santa Barbara (UCSB), in academia, and across many public arenas. The exhibition is drawn from the Cedric J. and Elizabeth P. Robinson Archive (“Robinson Archive”) and supplemented by a variety of materials from other collections in UCSB Library’s Special Research Collections, as well as personal contributions from Elizabeth Robinson.

A deeply influential educator, Cedric Robinson (1940-2016) was a well-known scholar of racial capitalism and the Black radical tradition, and an active participant in political movements, both at home and internationally. For more than 30 years, Elizabeth Robinson has been an educator, social worker, former associate director for media at KCSB-FM radio, activist, and community media producer.

This exhibition was curated by Yolanda Blue, the Library’s Curator of American and International History, Politics, and Cultures Collections, in collaboration with New York University and UCSB Library staff.

William Shakespeare’s plays transcended their origins almost immediately. Even during his lifetime, his unforgettable characters and indelible lines were already escaping the stage – taken up by others and repurposed and circulated in diverse ways. While his plays have been performed continuously for over four hundred years, they have also left the stage behind to live on elsewhere.

Printers and publishers have reproduced Shakespeare’s words in every possible textual format and in numerous languages. Literary and visual artists have continuously adapted and reinterpreted them in various artforms. Musicians and choreographers have refashioned his stories into opera, ballet, pop songs, and modern dance. Meanwhile, filmmakers, television writers, and videogame creators have transformed them for modern screens. This exhibition explores the many forms and many afterlives of Shakespeare’s art – from a single scrap of his crabbed handwritten text to the digital media of the twenty-first century.

Infinite Variety was co-curated by David Gartrell, the Library’s Curator of Rare Books and Manuscripts, and Professor Jim Kearney, Department of English. The exhibition is on display in the Jackie Laskoff Exhibition Alcove, located in the Sara Miller McCune Arts Library (1st Floor, Mountain Side), and is co-sponsored by UCSB Library and the Department of English.

Long celebrated for its golden light and serene vistas, the Ojai Valley has inspired generations of artists. Ojai Mystique continues this tradition, inviting nineteen artists from across the region and beyond to immerse themselves in the landscape and translate their impressions into two paintings: a large masterwork and a smaller companion piece.

Exhibiting artists: John Cosby, Steven Curry, Carolyn Lord, Kim Lordier, Jennifer Moses, Charles Muench, John Nava, Michael Obermeyer, Jesse Powell, Ian Roberts, Ray Roberts, Dave Santillanes, Dan Schultz, Frank Serrano, W. Jason Situ, Alexey Steele, Sarah Vedder, Anne Ward, Wendy Wirth.

Ojai Mystique is curated by Jennifer Moses and Dan Schultz.
Demonstrations and artist talks are scheduled throughout the exhibition.

Opening reception: Friday April 17, 2026, 5-7pm. Exhibition runs through August 9, 2026.

Ojai Valley Museum hours are Thursday - Sunday 10am - 4pm.

Working on a creative project that’s not quite done? Finish it up and cross it off your resolutions list! the Join other makers and spread out on our big tables, use our tools and dig through our upcycled materials to finalize your masterpiece. Get expert tips as we cheer you on to success. Ages 13+.

AVAILABLE: *LASER CUTTER *CRICUT *SEWING MACHINES *SERGER *BASIC HAND TOOLS *GLUE GUNS
*TRACING TABLE *SOLDERING IRON *BLOCK PRINTING TOOLS

More than 1,200 UCSB students annually participate in the UCSB Education Abroad Program (EAP) to study, intern, and conduct research in 35+ countries, earning UC credit toward majors, minors, and general education requirements. Returning students are invited to share their most memorable images from their time outside the United States with EAP.

Curated by EAP staff, this exhibition showcases standout submissions from EAP’s annual photo contests. Through these eye-catching photographs, students share their experiences living abroad with the campus community and highlight how EAP has enriched their undergraduate education at UCSB.

"Through most of our lives and work, Cedric and I have had deep commitments to collaboration, internationalism, and solidarity movements."
–Elizabeth Robinson, 2024

This exhibition documents the life’s work of Cedric J. Robinson and Elizabeth Peters Robinson, placing it in the global context of the Black radical tradition. The Robinsons were renowned for their seminal scholarship and activism that had wide-ranging influence at UC Santa Barbara (UCSB), in academia, and across many public arenas. The exhibition is drawn from the Cedric J. and Elizabeth P. Robinson Archive (“Robinson Archive”) and supplemented by a variety of materials from other collections in UCSB Library’s Special Research Collections, as well as personal contributions from Elizabeth Robinson.

A deeply influential educator, Cedric Robinson (1940-2016) was a well-known scholar of racial capitalism and the Black radical tradition, and an active participant in political movements, both at home and internationally. For more than 30 years, Elizabeth Robinson has been an educator, social worker, former associate director for media at KCSB-FM radio, activist, and community media producer.

This exhibition was curated by Yolanda Blue, the Library’s Curator of American and International History, Politics, and Cultures Collections, in collaboration with New York University and UCSB Library staff.

William Shakespeare’s plays transcended their origins almost immediately. Even during his lifetime, his unforgettable characters and indelible lines were already escaping the stage – taken up by others and repurposed and circulated in diverse ways. While his plays have been performed continuously for over four hundred years, they have also left the stage behind to live on elsewhere.

Printers and publishers have reproduced Shakespeare’s words in every possible textual format and in numerous languages. Literary and visual artists have continuously adapted and reinterpreted them in various artforms. Musicians and choreographers have refashioned his stories into opera, ballet, pop songs, and modern dance. Meanwhile, filmmakers, television writers, and videogame creators have transformed them for modern screens. This exhibition explores the many forms and many afterlives of Shakespeare’s art – from a single scrap of his crabbed handwritten text to the digital media of the twenty-first century.

Infinite Variety was co-curated by David Gartrell, the Library’s Curator of Rare Books and Manuscripts, and Professor Jim Kearney, Department of English. The exhibition is on display in the Jackie Laskoff Exhibition Alcove, located in the Sara Miller McCune Arts Library (1st Floor, Mountain Side), and is co-sponsored by UCSB Library and the Department of English.

Long celebrated for its golden light and serene vistas, the Ojai Valley has inspired generations of artists. Ojai Mystique continues this tradition, inviting nineteen artists from across the region and beyond to immerse themselves in the landscape and translate their impressions into two paintings: a large masterwork and a smaller companion piece.

Exhibiting artists: John Cosby, Steven Curry, Carolyn Lord, Kim Lordier, Jennifer Moses, Charles Muench, John Nava, Michael Obermeyer, Jesse Powell, Ian Roberts, Ray Roberts, Dave Santillanes, Dan Schultz, Frank Serrano, W. Jason Situ, Alexey Steele, Sarah Vedder, Anne Ward, Wendy Wirth.

Ojai Mystique is curated by Jennifer Moses and Dan Schultz.
Demonstrations and artist talks are scheduled throughout the exhibition.

Opening reception: Friday April 17, 2026, 5-7pm. Exhibition runs through August 9, 2026.

Ojai Valley Museum hours are Thursday - Sunday 10am - 4pm.

Passage Through, New York–based artist Peter Krashes’ first solo exhibition on the West Coast, uses paintings of old and new construction, atmospheric details of public meetings, and ordinary yet meaningful aspects of community work to focus on daily experience in an ever-changing world. For nearly two decades, Krashes was deeply engaged as a community activist, and this lived experience shapes the work throughout the exhibition. Passage Through turns our attention to interstitial spaces and events—what is found in between, at the edges of our awareness, in the overlooked, and in the margins of our vision.

In works like Fences and Trees and Sprouting Seedbomb, barriers divide spaces, block visibility, and keep people separate from one another, but over time, they also provide a place for plants to grow and for birds to roost.  In early works, scenes from community work, such as More Filled Seats Magnify the Message, grew from rallies and community-building practices, while State Attorney’s Public Meeting Notes emerged from the workings of government.  Krashes’ work highlights how a community evolves, and the people, voices, and actions over time that help shape it. 

Recent paintings made for this exhibition, including a series of mockingbirds in flight, recognize change as a constant in our neighborhoods while highlighting that resilience is possible over time. Working primarily in gouache, a medium Krashes describes as humble and open, the paintings leave room for uncertainty and possibility. In their directness, Krashes’ paintings reflect the context in which he lives and works in Brooklyn, yet they offer a passage of entry for any voice trying to make sense of our complicated world.