Community Calendar

William Shakespeare’s plays transcended their origins almost immediately. Even during his lifetime, his unforgettable characters and indelible lines were already escaping the stage – taken up by others and repurposed and circulated in diverse ways. While his plays have been performed continuously for over four hundred years, they have also left the stage behind to live on elsewhere.

Printers and publishers have reproduced Shakespeare’s words in every possible textual format and in numerous languages. Literary and visual artists have continuously adapted and reinterpreted them in various artforms. Musicians and choreographers have refashioned his stories into opera, ballet, pop songs, and modern dance. Meanwhile, filmmakers, television writers, and videogame creators have transformed them for modern screens. This exhibition explores the many forms and many afterlives of Shakespeare’s art – from a single scrap of his crabbed handwritten text to the digital media of the twenty-first century.

Infinite Variety was co-curated by David Gartrell, the Library’s Curator of Rare Books and Manuscripts, and Professor Jim Kearney, Department of English. The exhibition is on display in the Jackie Laskoff Exhibition Alcove, located in the Sara Miller McCune Arts Library (1st Floor, Mountain Side), and is co-sponsored by UCSB Library and the Department of English.

Tiffany Chung: indelible traces is the first comprehensive museum survey of Vietnamese American artist, Tiffany Chung (born 1969; MFA, UCSB ’00). Including more than 70 artworks that highlight Chung’s expansive 25-year career, these works pointedly reveal histories that have too often been overlooked or intentionally ignored. She excavates the complex and often hidden entanglements—of history, politics, geography, economy, and climate—that accrue and shape landscapes, built environments, conflicts, and human migration. Best known for her intricately drawn and embroidered maps, a major part of Chung’s work interrogates the nexus of the climate-conflict crisis, which views climate disasters and armed conflicts as dual systemic causes of forced migration.

Tiffany Chung: indelible traces is organized by the Art, Design & Architecture Museum and is guest curated by Orianna Cacchione, Deputy Director at the University of Richmond Museums. The exhibition is made possible thanks to the generous support of the Terra Foundation for American Art and the Henry Luce Foundation. Additional support provided by UCSB’s Art Equity Commons, the Billy Rose Foundation, and the AD&A Museum Council.

Artificial Intelligence often arrives in our lives wrapped in either hype or fear: Miraculous promises on one side, dystopian nightmares on the other. This lecture takes a different path. We will calmly and thoughtfully explore what AI actually is, what it is not, and why it matters deeply to people over 50—while remaining equally relevant to undergraduates and lifelong learners. The central message is simple: AI is not a replacement for wisdom, but a tool to enhance human enlightenment.

Through stories, demonstrations, graphics, short videos, and carefully chosen quotations from the pioneers of AI, the talk aims to show how AI can enhance creativity, productivity, learning, health, and connection—without surrendering autonomy or dignity. This lecture also endeavors to confront real potential dangers, including: over automation, bias, dependency, misinformation, and loss of meaning. Attendees will leave, hopefully not merely informed, but empowered, amused, and equipped with a practical framework for using AI wisely.

This lecture can be attended either in-person at the Thousand Oaks campus or virtually via Zoom. Walk-ins are not permitted.

The Fifty and Better (FAB) program was designed for people ages 50 and older, seeking intellectual stimulation through university-level courses — without the pressure of grades — for the sake of learning and social engagement.

More than 1,200 UCSB students annually participate in the UCSB Education Abroad Program (EAP) to study, intern, and conduct research in 35+ countries, earning UC credit toward majors, minors, and general education requirements. Returning students are invited to share their most memorable images from their time outside the United States with EAP.

Curated by EAP staff, this exhibition showcases standout submissions from EAP’s annual photo contests. Through these eye-catching photographs, students share their experiences living abroad with the campus community and highlight how EAP has enriched their undergraduate education at UCSB.

Since 2007, UCSB Reads has fostered a shared sense of belonging by bringing the UCSB campus and Santa Barbara communities together to read a common book that explores compelling issues of our time. Conceived by then Executive Vice Chancellor Gene Lucas, the program is led by the UCSB Library in collaboration with campus and community partners. Each year, a committee of UCSB faculty, students, staff, and community members selects a thought-provoking, interdisciplinary book written by a living author that encourages a wide range of readers to engage with a contemporary social, political, cultural or scientific issue such as climate change, racial justice, technology, memory, identity, and democracy.

The program kicks off in winter with a book giveaway for UCSB students led by the Chancellor, Executive Vice Chancellor and Provost, and University Librarian, and culminates with a free public talk by the book’s author(s) at Campbell Hall in the spring. Throughout the winter and spring quarters, the Library sponsors a variety of free learning, experiential, and social events to explore the book’s themes. The selected book is also incorporated into the university curriculum for winter and spring, allowing students to explore its themes in an academic context. UCSB Reads is generously supported by many individuals, university departments, and organizations.

This exhibition highlights the history of UCSB Reads since its inception, featuring promotional posters, selected books, custom bookmarks along with testimonials and images of participants engaging with programming throughout the years. UCSB Reads has become a beloved campus tradition that brings together thousands of people every year and demonstrates the power of literature to bridge divides, promote intellectual engagement, and build community.

This collaborative exhibition celebrates the intersection of art and environmental stewardship, highlighting the efforts of the Oak Group, the UCSB Cheadle Center for Biodiversity & Ecological Restoration, and Coal Oil Point Reserve to conserve the Devereux Slough. Art in Service of the Land invites viewers to explore how art documents, interprets, and amplifies the ongoing work of conservation, revealing the beauty and complexity of the North Campus Open Space (NCOS) and inspiring engagement with our local environment.

This exhibition was curated and cosponsored by the Oak Group and the Cheadle Center for Biodiversity and Ecological Restoration, in collaboration with UCSB Library staff.

The Oak Group is one of the first artist groups in the U.S. to combine creativity with conservation. Since 1986, Oak Group artists have exhibited artworks painted on location to raise awareness and funds for open spaces, generating over $3 million in sales to support the preservation of lands for wildlife, recreation, ranching, and farming. The group includes 25 active members and has presented more than 100 exhibitions benefiting over 20 conservation organizations.

"Through most of our lives and work, Cedric and I have had deep commitments to collaboration, internationalism, and solidarity movements."
–Elizabeth Robinson, 2024

This exhibition documents the life’s work of Cedric J. Robinson and Elizabeth Peters Robinson, placing it in the global context of the Black radical tradition. The Robinsons were renowned for their seminal scholarship and activism that had wide-ranging influence at UC Santa Barbara (UCSB), in academia, and across many public arenas. The exhibition is drawn from the Cedric J. and Elizabeth P. Robinson Archive (“Robinson Archive”) and supplemented by a variety of materials from other collections in UCSB Library’s Special Research Collections, as well as personal contributions from Elizabeth Robinson.

A deeply influential educator, Cedric Robinson (1940-2016) was a well-known scholar of racial capitalism and the Black radical tradition, and an active participant in political movements, both at home and internationally. For more than 30 years, Elizabeth Robinson has been an educator, social worker, former associate director for media at KCSB-FM radio, activist, and community media producer.

This exhibition was curated by Yolanda Blue, the Library’s Curator of American and International History, Politics, and Cultures Collections, in collaboration with New York University and UCSB Library staff.

William Shakespeare’s plays transcended their origins almost immediately. Even during his lifetime, his unforgettable characters and indelible lines were already escaping the stage – taken up by others and repurposed and circulated in diverse ways. While his plays have been performed continuously for over four hundred years, they have also left the stage behind to live on elsewhere.

Printers and publishers have reproduced Shakespeare’s words in every possible textual format and in numerous languages. Literary and visual artists have continuously adapted and reinterpreted them in various artforms. Musicians and choreographers have refashioned his stories into opera, ballet, pop songs, and modern dance. Meanwhile, filmmakers, television writers, and videogame creators have transformed them for modern screens. This exhibition explores the many forms and many afterlives of Shakespeare’s art – from a single scrap of his crabbed handwritten text to the digital media of the twenty-first century.

Infinite Variety was co-curated by David Gartrell, the Library’s Curator of Rare Books and Manuscripts, and Professor Jim Kearney, Department of English. The exhibition is on display in the Jackie Laskoff Exhibition Alcove, located in the Sara Miller McCune Arts Library (1st Floor, Mountain Side), and is co-sponsored by UCSB Library and the Department of English.

Tiffany Chung: indelible traces is the first comprehensive museum survey of Vietnamese American artist, Tiffany Chung (born 1969; MFA, UCSB ’00). Including more than 70 artworks that highlight Chung’s expansive 25-year career, these works pointedly reveal histories that have too often been overlooked or intentionally ignored. She excavates the complex and often hidden entanglements—of history, politics, geography, economy, and climate—that accrue and shape landscapes, built environments, conflicts, and human migration. Best known for her intricately drawn and embroidered maps, a major part of Chung’s work interrogates the nexus of the climate-conflict crisis, which views climate disasters and armed conflicts as dual systemic causes of forced migration.

Tiffany Chung: indelible traces is organized by the Art, Design & Architecture Museum and is guest curated by Orianna Cacchione, Deputy Director at the University of Richmond Museums. The exhibition is made possible thanks to the generous support of the Terra Foundation for American Art and the Henry Luce Foundation. Additional support provided by UCSB’s Art Equity Commons, the Billy Rose Foundation, and the AD&A Museum Council.

What can Shakespeare – or literature more generally – tell us about ethics? In the Pacific Views Talk for Spring 2026, Professor Jim Kearney (English) discusses the ways that Shakespearean theater invites its audiences to be entertained by the vicarious experience of the ethical, often ethics in some extreme or impossible circumstance.

What does it feel like to be enjoined to avenge your father’s death? What is it like to banish your daughter or disavow your community? To forgive the unforgivable? To murder? Shakespeare and his fellow early modern playwrights inherited and developed rhetorical and philosophical practices geared toward the creation of immersive virtual experience.

This talk approaches Shakespearean theater as a lab or platform in which the experience of ethics in extreme circumstances is simulated. Drawing on his new book Shakespearean Ethics in Extremity: Phenomenology, Theater, Experience (Oxford University Press, 2025), Kearney investigates Shakespeare’s attempts to capture – or conjure or discover or create – forms of what we might call ethical experience.

Jim Kearney is a Professor of English and Chair of the English Department at UCSB. He specializes in early modern literature with research interests that include ethical experience, the history of emotion, phenomenology (including the phenomenology of theater), various materialisms, religious identity and transformation, and the history of reading.

Kearney’s approximately 45-minute presentation will be followed by a Q&A session.

This event may be photographed or recorded.

Advance registration is recommended as space is limited.