May 30 Saturday
Everyone’s favorite Scottish nanny is headed to Thousand Oaks in this internationally acclaimed hit musical critics call “wonderful, heart-warming, and laugh-out-loud funny” (Manchester Evening News) and “a feel-good, family-friendly comedy that delivers” (The Hollywood Reporter). Based on the beloved film, MRS. DOUBTFIRE tells the hysterical and heartfelt story of an out-of-work actor who will do anything for his kids. It’s “the lovable, big-hearted musical comedy we need right now,” raves the Chicago Tribune – one that proves we’re better together.
Performance Schedule:Thursday, May 28, 2026 - 7:30 p.m.Friday, May 29, 2026 - 7:30 p.m.Saturday, May 30, 2026 - 2:00 & 7:30 p.m.Sunday, May 31, 2026 - 1:00 p.m.
May 31 Sunday
Jun 05 Friday
Passage Through, New York–based artist Peter Krashes’ first solo exhibition on the West Coast, uses paintings of old and new construction, atmospheric details of public meetings, and ordinary yet meaningful aspects of community work to focus on daily experience in an ever-changing world. For nearly two decades, Krashes was deeply engaged as a community activist, and this lived experience shapes the work throughout the exhibition. Passage Through turns our attention to interstitial spaces and events—what is found in between, at the edges of our awareness, in the overlooked, and in the margins of our vision.
In works like Fences and Trees and Sprouting Seedbomb, barriers divide spaces, block visibility, and keep people separate from one another, but over time, they also provide a place for plants to grow and for birds to roost. In early works, scenes from community work, such as More Filled Seats Magnify the Message, grew from rallies and community-building practices, while State Attorney’s Public Meeting Notes emerged from the workings of government. Krashes’ work highlights how a community evolves, and the people, voices, and actions over time that help shape it.
Recent paintings made for this exhibition, including a series of mockingbirds in flight, recognize change as a constant in our neighborhoods while highlighting that resilience is possible over time. Working primarily in gouache, a medium Krashes describes as humble and open, the paintings leave room for uncertainty and possibility. In their directness, Krashes’ paintings reflect the context in which he lives and works in Brooklyn, yet they offer a passage of entry for any voice trying to make sense of our complicated world.
The nine diverse works of American art in this exhibition span from 1915 to 2020, representing a remarkable slice of American art history. This selection weaves together ideas of identity, childhood, and environment. Through diverse mediums, styles, and cultural contexts, these works offer insights into the personal, cultural, and artistic conversations that shape our world. This project is made possible through our remarkable partnership with Art Bridges, whose mission is to bring art out of storage and into communities across America.
Themes of both celebrated and forgotten identities appear throughout—from the mystery of Richard Prince’s Nurse Elsa to the individuality of Alex Katz’s Dark Glasses and the haunting imagery of Edouard Duval-Carrié’s Lost at Sea. Rachel Rose’s Lake Valley transports us to the bittersweet nostalgia of childhood, where memories feel both real and imagined. Pop culture and American consumerism are brought into the conversation with Robert Gober’s Untitled (butter), which turns the familiar into something strange. Frank Stella’s maze-like Cinema de Pepsi Sketch I and Max Weber’s Interior with Music explore color, shape, and detail in bold ways. Félix González-Torres’ participatory work Untitled (L.A.) and Alfred Conteh’s Malik and Marquis invite reflection on friendship, loss and human connection.
Together, these works explore social issues that feel especially relevant today in the American political landscape—ideas of home, belonging, community, and time. Each artwork tells its own story, but together they create a larger history and experience. This exhibition does more than reflect the world: it helps us understand it and imagine the future we want to create.
