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  • The massacre in Uvalde, Texas, was yet another grim reminder that in the U.S., children are more likely to die from gun violence than in any other wealthy nation. And it's getting worse.
  • Though drenched in deep melancholy, Lamar's new album avoids superstar-level self-pity. Instead, the hip-hop artist summons up specific memories and works through his issues with uncommon grace.
  • Pakistan doesn't recognize Israel. After a delegation visited Israel and even met with its president, Pakistani senators were outraged and one visitor got fired.
  • The last time Texas updated its sex education curriculum, was in the '90s. Students will now learn about contraception and STIs — but not gender or consent. And the classes are all optional.
  • Hip-hop culture, with its street rhythms and explicit lyrics, is more relevant in advancing civil rights today than the peaceful messages of Rev. Martin Luther King, Jr., author Todd Boyd says. In an interview with NPR's Scott Simon, Boyd says hip hop artists use language as a political weapon that provokes and "makes people think." (Note: Contains language that some may consider offensive.)
  • The Catholic Church has been grappling with an exodus of Latin Americans over the past few decades. A small yet growing segment of the Hispanic population is leaving Christianity altogether and converting to Islam -- and most of them are women.
  • Higher costs for food, labor, rent, gasoline and cooking gas make it harder for casual dining places to buy, cook and deliver meals. And they're limited in how much they can pass on to customers.
  • A new PBS documentary titled A Lion in the House follows the inspirational and heartbreaking stories of five children living and dying with cancer in Cincinnati. Filmmakers Steven Bognar and Julia Reichert discuss the project with Farai Chideya.
  • High inflation is weighing on the U.S. economy and raising the risk of a recession. Here's how energy and housing markets are being affected.
  • Amos Oz's latest is A Tale Of Love And Darkness, a memoir of growing up in Jerusalem in the turbulent 1940s and '50s, when a war-torn Israel was achieving statehood. Oz's home life was as intense as the world outside. The book follows Oz through his mother's suicide to a growing interest in politics and writing.
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