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The abuses on the innocent people of Iran by their government are again in the world’s spotlight with the death of Mahsa Amini. Her crime? An alleged violation of the state-imposed head covering law. Iranian artists have responded with a global outcry and are not retreating from their activism. Female artists have sought to expose the decades of atrocities by the regime affecting most every aspect of daily life in Iran. Amini’s death has ignited a call to direct action and many are taking personal risks in order to end the authoritarian control over the lives of the Iranian people.

Join us as we review an array of artists, past and present that are visually speaking for the plight of the Iranian people and for the rights of all humanity.

Christine Maasdam holds a Master's in Humanities and a B.A. in Cultural Geography. Her art studies include The Courtauld Institute of Art in London, The Smithsonian Early Enrichment Center in D.C. and Post Graduate studies in Antiquities Trafficking and Art Crime at the University of Glasgow. She is a graduate of the Art Crime Investigation Seminar led by Robert Wittman, founder of the FBI's National Art Crime Team. Christine is a member of the International Foundation for Cultural Property Protection and holds a certificate from Trident Manor on Protection of Cultural Venues. Christine received Sotheby’s certification on Determining Value: An Appraiser’s Perspective. She has spent over a decade as a LACMA docent and is an active volunteer at the City of David archaeological dig in Israel.

The Art Nouveau era in France appeared at the end of the 19th century in a swirling world of societal changes. The style is characterized by sinuous curves and organic forms with nature as the ultimate source book, particularly the plant world as well as insects and birds that lent themselves to the same stylizing process. Much of the art of the era is influenced by dreams, symbolism, creepy crawlers, opium smoke, and the ideas of Darwin and Freud. The curve of the female body, particularly when combined with long flowing hair, was an inspiration for decorative possibilities.

Eleanor Schrader (M.A.) is an award-winning educator, lecturer, and author. She lectures worldwide on art and architectural history, and leads art and architecture tours throughout the world. She has been named a Distinguished Instructor at UCLA Extension, where she teaches history of architecture, interior design, furniture, and decorative arts. She is also Professor Emeritus of Art and Architectural History at Santa Monica College. She has done graduate work in fine and decorative arts at Sotheby's Institute in London and New York. She has served as a Design Review Commissioner for the City of Beverly Hills and currently serves on the Board of Directors of the John Lautner Foundation.

The 1920s were wild times in Los Angeles; scorning Prohibition, organized crime flourished, and social behavior escaped traditional boundaries - never to return. In this lecture, we explore the popular culture, milestones, scandals, and legends of this tumultuous era in our city’s history. Topics include the impact of silent movies (from the star worship of Rudolf Valentino to the star scandal of Fatty Arbuckle’s murder trial), the changes resulting from L.A.’s growing population, car culture, and landmark construction projects (from the Hollywood Bowl and Bullock’s Wilshire to City Hall). We will also look at the speakeasies, casinos, and offshore gambling ships where Angelenos broke the rules.

Sharon Boorstin is a contributing writer for the Los Angeles Times, specializing in lifestyle, food and travel. In 2019 she won Visit California’s Eureka Award for Best Newspaper Travel Article. In the 1970s and ‘80s Sharon was the Restaurant Critic of the (late) Los Angeles Herald-Examiner, and in the ‘90s she edited the annual Gayot Guidebooks for Los Angeles and other cities. She also wrote for magazines including Bon Appetit, Smithsonian and Town & Country Travel. With her husband Paul, she wrote dozens of screenplays for feature films and television including Angel of Death (ABC) starring Jane Seymour. Her memoir/cookbook, “Let Us Eat Cake: Adventures in Food and Friendship” (Harper-Collins 2002), was a selection of the Pulpwood Queens Book Club. Raised in Seattle, Washington, Sharon moved to Los Angeles in 1966 after earning a California Lifetime Teaching credential at U.C. Berkeley. She taught high-school History, English and Social Studies in L.A. for 11 years.

How is California doing? And Ventura County? And where might they be headed? Not long ago, California and Ventura were considered Republican territory. What explains the shift to solid Democrat majorities today? What might the future bode?

This lecture looks at California politics from two perspectives: state and local. It seeks to understand California’s big policy issues, especially its budget volatility as it has gone from a $100 billion surplus to a $40 billion deficit just since the New Year. The lecture will focus on Ventura County and the city of Thousand Oaks to illustrate the challenges confronted by local governments.

Herbert Gooch (Ph.D.) is Professor Emeritus of Political Science at California Lutheran University. He formerly served as Director of the Masters in Public Policy and Administration program and Assistant Provost for Graduate Studies at Cal Lutheran. A graduate of U.C. Berkeley in History, he holds a M.B.A in Management and both masters and doctoral degrees in Political Science from U.C.L.A. He has written extensively and is a frequent commentator on political affairs locally and statewide. He has been at Cal Lutheran since 1987 and lives in Newbury Park with his wife. His interests include politics, film and travel.

In 1969, Michael Arndt was drafted into the U.S. Army and sent to Vietnam as a combat infantryman. After 40 years, he returned to Vietnam, an experience which began his healing and led to his commitment to aid veterans through the arts. Professor Arndt began to interview and video record veterans from WW II, Korea, Vietnam, and the Iraq and Afghanistan conflicts. He created a multimedia theatrical piece that has been produced a number of times as a way of opening conversations with veterans and non-veterans. The play has led to the writing of a book to assist veterans in using their stories and art as a healing force. This lecture details Michael’s combat experience and its effect upon his life when he returned, including his artistic works.

Michael J. Arndt (MFA) has been a Professor of Theatre Arts at California Lutheran University for the past forty years and is the artistic director of the Kingsmen Shakespeare Company. As a theatre director, he has directed over 200 theatre productions. Among the awards he has received are the Cal Lutheran President’s Award for Teaching Excellence, The Kennedy Center/American College Theatre Festival, Region VIII-Outstanding Theatre Educator, and the Alliance for the Arts’ Exemplary Arts Educator Award. He was named a “local hero” by the Ventura County Reporter and “Patriotic Citizen of the Year” by the Conejo Valley Chapters of the Military Order of the World Wars and The Military Order of the Purple Heart.

A Vietnam combat veteran, Michael created “Under Fire: Stories of Combat Veterans Across Generations.” He is currently co-authoring a book: “Making Contact: The Way to Healing from the Trauma of Combat.”

How did so many Christian churches end up being in favor of slavery prior to the U.S. Civil War? How did Christians justify slaveholding? Is it really true that people “didn’t know slavery was wrong back then?” In this lecture, Rev. Chris Kellerman, SJ, will explore the history of how Christianity, with particular focus on the Catholic Church, justified keeping human beings as enslaved chattel, addressing such topics as the presence of slavery in the Bible and the theological debates that surrounded the Atlantic trade in African slaves.

Christopher J. Kellerman, SJ, is a Jesuit priest originally from Arlington, TX. He studied at Texas Tech University, the University of Dallas, and Regis College at the University of Toronto. He recently served as visiting fellow and interim director at the Jesuit Social Research Institute at Loyola University New Orleans where he engaged in research, education, and advocacy on issues related to racial justice, environmental justice, and political polarization. Currently, he works in the Office of Justice and Ecology of the U.S. Central and Southern Province of the Society of Jesus. He is the author of All Oppression Shall Cease: A History of Slavery, Abolitionism, and the Catholic Church (Orbis, 2022)

A defining feature of brain cells or neurons is their ability to communicate over vast distances and in rapid time. Given the complexities of neuroscience as a whole, the study of their specialized connections is equally as multifaceted. These specialized connections, called synapses, are formed in a still unclear process of signaling and recruiting many proteins. Synapses and their ability to change are thought to be a key reason why brains can change so extensively over life. Unsurprisingly, changes in synapses are seen in different types of brains. For example, the degradation of synapses is a hallmark of neurodegenerative disorders such as Alzheimer’s Disease, while differences in the number and function of synapses are seen in neurodivergent conditions such as Autism. Come along and learn about those special connections we all have in our brains called synapses!

Wesley Tierney (M.S.) is currently a PhD candidate in Neuroscience at Arizona State University. He studies the mechanisms of Herpes Simplex Virus infection of neurons. He has worked in various research labs for seven years ranging from social psychology, entomology, regenerative medicine, virology, and neuroscience.

Artist talk and Q&A with Marela Zacarías. An exhibition of floating sculptures and geometric abstractions by Mexican artist Marela Zacarías.

SLOMA is proud to announce our 2023 mural artist, Leah Rosenberg's SLO(W) Rainbow will be installed by the artist throughout February 2023 on the exterior of the Museum. Stay tuned for complementary programming!

Join award-winning underwater photographer Josh Musselwhite as he shares stunning photographs, offers tips and tricks of the trade, and discusses his experiences getting up close and personal with all kinds of creatures under the sea. Attend the live stream at the library or join online via Zoom. https://libcal.tolibrary.org/event/10380771