Glen Weldon

Glen Weldon is a regular panelist on NPR's Pop Culture Happy Hour podcast. He reviews books, movies, comics, and more for the NPR Arts Desk.

Over the course of his career, he has spent time as a theater critic, a science writer, an oral historian, a writing teacher, a bookstore clerk, a PR flack, a completely inept marine biologist, and a slightly better-ept competitive swimmer.

Weldon is the author of two cultural histories: Superman: The Unauthorized Biography, and The Caped Crusade: Batman and the Rise of Nerd Culture. He has written for The New York Times, The Washington Post, The New Republic, The Atlantic, Slate, McSweeney's, and more; his fiction has appeared in several anthologies and other publications. He is the recipient of an NEA Arts Journalism Fellowship, an Amtrak Writers' Residency, a Ragdale Writing Fellowship, and a Pew Fellowship in the Arts for Fiction.

Call it The Film About Rich People Hunting Poor People ... That Lived.

But that's a mouthful. Maybe The Hunt Strikes Back; it's pithier.

Just two weeks ago, Ready or Not seemed poised to represent a second data point in 2019's "Murderous, Mansion-Dwelling One-Percenters In Film" trend graph, preceded by Craig Zobel's "blue bloods vs. red staters" thriller The Hunt and followed in November by Rian Johnson's latter-day Clue riff, Knives Out.

Warning: This piece discusses events in the series finale of Legion.

When it began, three seasons ago, Legion was a show about a man who possessed the power of telepathy.

By the time it ended last night, Legion had become a show about the power of empathy.

"What if superheroes — but evil?"

It's a bold premise that seems fresh, even astonishing ... if the year is 1982.

That's when writer Alan Moore and various artists took the '50s bog-standard British superhero Marvelman (later, Miracleman) and reimagined him as a superpowered despot who enslaves humanity.

"Well, what if superheroes — but corrupt?"

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SCOTT SIMON, HOST:

I have seen the new The Lion King. Pop Culture Happy Hour is devoting a whole show to it this week, so I won't get into a full review here, but just know that, when it comes to one specific aspect of the new film — the one aspect about which I cared most keenly, most deeply, most intensely — the news is not senSAAYtional. It's anything but, in fact.

"HEAR ME, X-MEN! NO LONGER am I the woman you KNEW! I AM FIRE! I AM LIFE INCARNATE! Now and FOREVER ... I AM PHOENIX!"

That's how the character of Jean Grey, powerful telekinetic telepath and charter member of the X-Men, reintroduced herself to her teammates in 1976's Uncanny X-Men #101, shortly after she was seemingly killed by a solar flare while on a space mission.

Is it weird to keep asserting that Summer Movie Season starts Memorial Day weekend, when Avengers: Endgame, the ultimate summer movie, and also the year's (the decade's! the century's!) biggest blockbuster, opened last month?

Maybe. Sure. Who cares?

"Summer movie" is a term, after all, that has taken on a negative connotation, as it tends to be deployed by those looking to sniffily dismiss the whole crop of films that come out in the months without an R. See also: "popcorn movies," "comic-book movies."

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AUDIE CORNISH, HOST:

We've recapped the eighth and final season of Game of Thrones. Spoilers, of course, abound.

I mean ... sure?

I am prepared to die on the ashy hill of They Didn't Lay The Necessary Track To Justify Daenerys' Heel-Turn, but that whole contretemps seems soooo last week. I've made my peace with it and am prepared to dissect the show that they made, not the one we expected/wanted them to.

We're recapping the eighth and final season of Game of Thrones; look for these recaps first thing on Monday mornings. Spoilers, of course, abound.

Dany got a raw deal.

Narratively speaking, Game of Thrones did the Mother of Dragons dirty, there's no two ways around it.

We're recapping the eighth and final season of Game of Thrones; look for these recaps first thing on Monday mornings. Spoilers, of course, abound.

After great pain, a formal feeling comes.

That's a quote from Lady Emily of House Dickinson, who might as well have been describing this episode, which probably couldn't help but feel anticlimactic and setty-uppy, coming as it does in the narrative gully that naturally stretches between last week's exultantly fire-and-bloody spectacle and next week's likely disastrous siege of King's Landing.

We're recapping the eighth and final season of Game of Thrones; look for these recaps first thing on Monday mornings. Spoilers, of course, abound.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

STEVE INSKEEP, HOST:

We're recapping the eighth and final season of Game of Thrones; look for these recaps first thing on Monday mornings. Spoilers, of course, abound.

Welcome back, everyone. It's been two years since last we gathered around the flickering electronic hearth to feast our eyes on this world, and these characters, many of whom – I'm thinking here of the dragons and the ice-zombies mostly – would happily feast on our eyes. Because Winter is Here, and it's shaping up to be a long, cruel one, and Sansa didn't pack away enough provisions for everyone.

It's over.

After four seasons and 157(!) original songs, Crazy Ex-Girlfriend came to an end Friday night, with a supremely satisfying finale that felt both surprising and inevitable, which is precisely the needle that finales need to thread. (And how about that concert special? With the surprise reveal of Michael Hyatt — the show's MVP recurring cast member — at the end? I may have whooped.)

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