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  • It’s SNOWHITE, a captivating Rudie-DeCarlo musical fairytale for girls, boys, and young-at-heart audiences of all ages.

    A charming tale of companionship, coming-of-age, and the magical bond between mothers and daughters, SNOWHITE takes audiences on a magical adventure as everyone’s most beloved young heroine journeys to find herself, her mother, and her true destiny, aided by Seven Silly Companions and a Most Magical Mirror. No evil Stepmother here, no shadowy forests or villainous potions; just a wondrously humorous and touching story of friendship, dedication and discovery, as Snowhite, and the audience, learn that love does, indeed, conquer all, even though it can sometimes be found in the most unlikely places.

    Modeled on the original 1812 Brothers Grimm tale, SNOWHITE examines stereotypes, familial bonds, ethics, friendship, the power of commitment, and the value of tolerance and understanding. Beautifully-detailed Medieval costumes by award-winning designer Ashley Hayes and sparkling special effects by James Cooper add to the historical authenticity of this exciting interactive family-friendly production.

    Members of the internationally renowned Actors' Repertory Theatre Tiffany Haile (Cinderella, Carmen, Alice and the Wonderful Tea Party) and Cydne Moore (Beauty and the Beast, Ever After Take 2) are joined by guest artists Taylor Bazos (The Little Mermaid, The Crucible), Laura Bertrand (Most Massive Woman Wins, Shrek The Musical), Noa Brenner (The Amityville Murders – performer; A Chorus Line – director; Entropy in Inspiration – choreographer), Audrey Montague (School of Rock, Arcadia), Megan Yip (Juliette, Eat Rice!).

    Special birthday parties, hosted by gaily-costumed fairytale characters, are available in conjunction with every performance. All current protocols are observed.

    Santa Monica Playhouse, celebrating 62 years of continuous operation, is supported in part by the Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts and Culture, the City of Santa Monica and the Santa Monica Arts Commission, the Ahmanson Foundation, the Rotary Club Foundation and Playhouse PALS.
  • Led by Sō Percussion.

    Public masterclasses have been at the heart of the Academy experience since its inception.

    Cheer on the fellows and learn more about the music and the art of performance.
  • Saturday, Jul 16, 9:30–10:30 AM

    To complement the mindful atmosphere of Camille Hoffman’s Gray Wing exhibition, See and Missed, SLOMA is hosting monthly yoga classes with Central Coast teacher Cecily Furlong.

    Enjoy an hour of meditation, mindfulness, and movement surrounded by Hoffman’s artwork.
  • A character comedy set in Philadelphia about struggling to maintain one’s authenticity while facing inevitable change. A solo show filled with hope and profanity. Bad enough Kathleen Burke’s neighborhood has gentrified around her, when she gets the surprise of her life at her 40th birthday party it triggers her own high stakes battle between “woo-woo” healing and working-class attitude. And it’s all in a thick, distinctive Northeast Philly dialect people are going nuts for right now. If you love MARE OF EASTTOWN, it’s like that. But funny and with, like, zero murders.

    Written and performed by Katierose Donohue Enriquez, Alumnus Groundlings Sunday Company. MFA Harvard, American Repertory Theater and Moscow Art Theatre. Directed by Corey Podell. Live and Streaming
  • Students for Eco-Education & Agriculture (SEEAG) is holding a Sunset Mixer, Thursday, July 14, at Zaca Mesa Winery to raise support for Santa Barbara County Farm Day, an annual event where the public is invited to visit growers and agricultural businesses in the Santa Maria Valley. The Sunset Mixer is from 5 p.m. to 7:30 p.m. (Zaca Mesa Winery 6905 Foxen Canyon Rd., Los Olivos).

    Food will be provided by Valley Piggery & Amazing Grazing. The evening will also feature live music from The Reserve, a raffle and a silent auction. Proceeds go to SEEAG’s 4th Annual Santa Barbara County Farm Day, set for Saturday, September 17. During Farm Day, visitors of all ages have the opportunity to see how their food is grown and sample fresh fruits and vegetables.

    Tickets for the Sunset Mixer fundraiser are $95 per person and are available by going to Eventbrite and typing in Santa Barbara County Farm Day Sunset Mixer @ Zaca Mesa (http://farmdaysunsetmixer.eventbrite.com) or by mailing a check to Students for Eco-Education and Agriculture, P.O. Box 7738, Ventura, CA 93006.

    For more information, contact SEEAG at 805-901-0213 or email seeag.education@seeag.org.


    About SEEAG
    Founded in 2008, Students for Eco-Education and Agriculture (SEEAG) is a nonprofit organization that aims to help young students understand the origins of their food by bridging the gap between agriculture and consumption through its agricultural education programming. SEEAG’s “The Farm Lab” program based in Ventura County teaches schoolchildren about the origins of their food and the importance of local farmland by providing schools with classroom agricultural education and free field trips to farms. Through this and other SEEAG programs, over 60,000 elementary school students in Central and Southern California have increased their understanding of the food journey. For more information, visit www.seeag.org or email Mary Maranville at mary@seeag.org.

  • Santa Barbara Botanic Garden brings together native plant advocates, indigenous peoples, film producers, and the community, for a screening of three short films and a discussion about historic stewardship and current issues facing native plants. “People and the Planet: The Healing Power of Native Plants” is held at 7 p.m. on Thursday, July 21 at the Marjorie Luke Theatre (in Santa Barbara Junior High School).

    Tickets are $25 general admission and $10 for youth (aged 3 to 12) and students with ID. Tickets can be purchased in advance on the Garden’s website (www.SBBotanicGarden.org) and at the door. Admission includes one free native plant per person.

    “The Garden sits at the intersection of plants and people, and we are always looking for ways to inspire people to engage with the natural world,” said Garden Executive Director Steve Windhager, Ph.D. “These three films celebrate the long relationship between plants and people, but also highlight what transpires when this relationship is not healthy.”

    The three short films include:

    “Plant Heist” (2021): This film reveals the plant poachers who are willing to risk their lives to steal protected native succulents called liveforevers, species of Dudleya found along coastal cliffs of California, prized by collectors and sold internationally for top dollar as trendy houseplants. Includes interviews with game wardens, district attorneys, eyewitnesses, plant biologists, and volunteer groups. (17 minutes, produced by Sibling Rivalry Creative: Chelsi de Cuba and Gabriel de Cuba)

    The film’s producers, unable to attend, have recorded a brief video introducing the film and addressing the issues it raises, including the passage of California AB 223 which provides the species new protections and establishes strong penalties for violations.

    NOTE: Santa Barbara Botanic Garden conducts ongoing study of Dudleya and is considered a taxonomic expert. Ten of California’s 26 Dudleya are now classified as threatened or endangered under the Federal and/or California Endangered Species Act.

    “The Chumash People: A Living History” (2022): Hearing directly from the Santa Ynez Band of Chumash Indians, this film explores the living history, traditions, talents, and food of its people. It presents a context of Chumash culture has been influenced by the natural world, how culture influences natural resources, and the ways those traditions continue today. (11 minutes, Cage Free Productions: Paul J. Lynch)

    “Saging the World” (2022): Documentary film explores impact of the growing popularity of “saging” – burning sage bundles as a cleansing ritual – of white sage (Salvia apiana) found only in Southern California and northern Baja California. Poaching to meet international demand is endangering this plant used by Indigenous communities for thousands of generations. The film spotlights the ecological and cultural issues intertwined with white sage, and encourages viewers to enjoy it, but grow it for themselves. (20 minutes, produced by Rose Ramirez, Deborah Small, and the California Native Plant Society)

    The screenings are followed by a discussion moderated by Scot Pipkin, the Garden’s Director of Education.

    “We bring together various voices to discuss how people interact with plants, and the challenges around that synergy, both historically and in today’s world,” said Pipkin. “We also explore why native plants are important to a healthy ecosystem, what it means to be in partnership with plants, and how we can work together, as a community, to realize a future for the health and wellbeing of people and the planet.”

    Participants confirmed to date include:
    • Deborah Small, “Saging the World” filmmaker, co-author of “Ethnobotany Project: Contemporary Uses of Native Plants”, and white sage advocate
    • Diego Cordero, Santa Ynez Band of Chumash Indians
    • Alvaro Casanova, Conservation Advocate with the California Native Plant Society
    • Heather Schneider, PhD, Santa Barbara Botanic Garden Rare Plant Biologist
    • Colette Keller, San Marcos High School student
  • Led by Academy artist Margo Garrett
    Public masterclasses have been at the heart of the Academy experience since its inception
    Cheer on the fellows and learn more about the music and the art of performance.
  • Led by Alan Stepansky (Jun 30, Jul 21) & David Geber (Jul 12, Jul 28)
    Public masterclasses have been at the heart of the Academy experience since its inception
    Cheer on the fellows and learn more about the music and the art of performance.
  • Led by Academy artist Conor Hanick
    Public masterclasses have been at the heart of the Academy experience since its inception
    Cheer on the fellows and learn more about the music and the art of performance.
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