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  • “A must-see! Never a dull moment! For fun, frolic and fantasy, it’s the perfect ticket. With fairytales to share, the amazing ensemble of singers and dancers brings the pictures on the page to life, painting a canvas of rainbows on stage!” Bonnie Previer, The Tolucan Times

    The fairytale world is spiraling out of control, and only YOU can help Cinderella, Snowhite, Gretel, Hansel, Alice, the Queens of Hearts (3 of them) and M. Goose save the day in this joyous interactive holiday musical. Great costumes, lilting songs (even one where you get to sing-a-long), great humor and fun word play make this Family Theatre Musical a special weekend treat for ages 2 to 102.

    Great birthday parties, hosted by costumed members of the cast, are available in conjunction with every performance.

    Saturdays 2pm, Sundays 12:30 January 7 – 21, 2024

    Helmed by Playhouse Co-Artistic Director Chris DeCarlo, written by Graham Silbert with Evelyn Rudie, words & music by E. Rudie with Matthew Wrather, EVER AFTER TAKE 2 features Holly Gibson, Margo Leach, Isabel Lindley, Cydne Moore, Michala Peltz and Megan Wright as Cinderella. Awesome special effects and video projections are by James Cooper, with delightful costumes by Ashley Hayes. George J. Vennes III does double duty as Technical Director and Production Stage Manager.

    Ever After Take 2 is also available for weekday, afterschool and weekend School Theatre Field Trips. For details, email education@SantaMonicaPlayhouse.com

    Santa Monica Playhouse, celebrating 63 years of continuous operation, is supported in part by grants from the City of Santa Monica and the Santa Monica Arts Commission, the Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts and Culture, the Ahmanson Foundation, the Rotary Club Foundation and Playhouse PALS.
  • Studio Channel Islands Art Center (SCIART) will present ARTIST TALK: Immersive Technology & Art with Carlos Luna James, Ismael De Anda III, & Edwin Vasquez in conjunction with the Arcade exhibition. The Arcade of Hypermodernity is an immersive journey into the intersection of technology and imagination curated by Jason Jenn and Vojislav Radovanović of L.A. Art Documents. Set to transform the gallery space into a vibrant playground of ideas, this group art exhibition and special events from June 1 - July 27, 2024, invites visitors to explore realms of unadulterated enjoyment and profound socio-political reflection.

    The Immersive Technology & Art talk will be held Saturday, June 15 at 1:00pm. Admission is $10 general admission and free for students and SCIART Members. Find more information and tickets here: https://studiochannelislands.org/arcade/.
  • Since our founding in 1932, collecting and preserving the material and written history of the Santa Barbara area has been at the core of our institution’s purpose and that task is on-going to this day. Every year the Historical Museum adds to the ever-growing collections to better illuminate and share this rich history.
    This exhibition highlights just some of the gifts we have added in recent years thanks to the generosity of our community.

    Through May 2026

    Free Admission
    Open Wednesday-Sunday 12:00-5:00pm, Thursday 12:00-7:00pm

    Santa Barbara Historical Museum
    136 E De la Guerra Street, Santa Barbara 93101
    www.sbhistorical.org
    805-966-1601

    Image
    Our Lady of Atocha, c. 1800
    Collection Santa Barbara Historical Museum
  • On Friday night, the 11-seed Wolfpack took down the No. 2 seed Marquette Golden Eagles — marking the first time that N.C. State has advanced to the NCAA tournament's Elite Eight since 1986.
  • The Sweet 16 weekend began Thursday night with dramatic late-night games as both men and women roll into action on Friday.
  • Join us for Emergence Film in the Gallery, celebrating young and emerging filmmakers.

    Featuring 2024 Student Academy Awards winners:
    Rishabh Raj Jain, NYU: A Dream Called Khushi (Happiness)

    Against all odds, a Rohingya refugee fights for education in Bangladesh's camps. When she meets AP journalist Rishabh Jain, her story ignites public outrage, revealing her resilience and the plight of Rohingya refugees denied basic rights. Dreaming of a life in Canada, where she can study, will she be the one in a million to break free?

    Robin Wang, USC: Neither Donkey Nor Horse

    Winner of the 2024 Student Academy Award and DGA Student Film Award Grand Prize, Neither Donkey Nor Horse is a 28-minute historical biopic thriller set against the Great Manchurian Plague of 1910. The film dramatizes the true-life story of the first Nobel Prize-nominated Chinese scientist, Dr. Wu Lien-teh, and his perilous quest leading the combat against the world’s most deadly epidemic at the time. As a young Chinese doctor educated in the U.K., he must defy prejudices of both the East and the West to champion his groundbreaking theory of the disease - and seek the truth that will heal it

    Aaron Johnson, Chapman University: The 17 Percent

    Winner of the 2024 Silver Award at the 51st Student Academy Awards in London is short film, The 17 Percent. This documentary film tells the uplifting story of Colette Divitto who was born with down syndrome and despite graduating college couldn't find employment. Colette was determined to not let rejection stop her from earning a living and doing meaningful work. Thus, she took her passion for baking and turned it into a living, founding “Collettey’s Cookies”. Since then, her company has seen major success having sold over 400,000 cookies to date and having been featured across the country on national news such as CNN, Good Morning America, MSNBC, BBC, and more.

    And selected local student filmmakers:

    Perla Gutierrez, Oxnard College: Glimpse of Happiness

    Marlee De Anda, California Lutheran University: Bloom
  • On Saturday in Ohio, the former president held his first rally since leaving office. Meanwhile, other top potential GOP presidential candidates are running versions of shadow campaigns.
  • “Camerata Pacifica Baroque: The French Dispatch” explores French Baroque repertoire both rarely heard and familiar in the second and final offering in the acclaimed chamber collective’s inaugural period instrument Baroque series curated by and featuring eminent flutist Emi Ferguson, known for her fresh approach to programming and boundary-stretching performances. This engaging program of 17th and 18th century French vocal and instrumental works performed by some of the country’s leading Baroque experts is presented on Sunday, April 21, 3 pm, at Thousand Oak’s Janet and Ray Scherr Forum; Tuesday, April 23, 7:30 pm, at The Huntington’s Rothenberg Hall in San Marino; Thursday, April 25, 8 pm, at Zipper Hall in Downtown Los Angeles; Friday, April 26, 2024, 7:30 pm, in Hahn Hall at Santa Barbara’s Music Academy.

    Clérambault’s breathtaking cantata Pirame et Tisbé features acclaimed Grammy-winning Lebanese American tenor Karim Sulayman, whose voice is “pure heaven” (The Arts Desk). He also performs four works by Anne Madeleine Guédon de Presles, a French composer, singer, and actress, who in the early 18th century became the first known French woman to publish a collection of arias.

    Joining Ferguson and Sulayman are violinist Rachell Ellen Wong, noted for performances that are “scorching hot, accurate, and thrilling” (Broadway World) and the first Baroque violinist to receive a prestigious Avery Fisher Career Grant; harpsichordist Michael Sponseller, acclaimed for his “remarkable spectrum of sounds” (Cleveland Classical); Grammy-winning guitarist Stephen Stubbs, a leading figure in the American early music scene for three decades; and, on viola da gamba, Doug Balliett, a professor of baroque bass at The Juilliard School hailed for his “elegantly played” performances (The New York Times).

    The program opens with Third Suite in A Major from Pièces de Clavecin en Concert, Rameau’s adaptations of his keyboard works for chamber ensemble, and concludes with Telemann’s Paris Quartet No. 12 in E Minor, TWV 43:e4, a milestone of the chamber genre.

    Camerata Pacifica is renowned for its musical versatility and bold programming that demonstrate the limitless scope of the chamber music repertoire.

    “Camerata Pacifica Baroque: The French Dispatch” tickets ($75 at The Huntington, Hahn Hall and Zipper Hall; $80 at Janet and Ray Scherr Forum) are available at www.cameratapacifica.org or 805-884-8410.
  • “Camerata Pacifica Baroque: The French Dispatch” explores French Baroque repertoire both rarely heard and familiar in the second and final offering in the acclaimed chamber collective’s inaugural period instrument Baroque series curated by and featuring eminent flutist Emi Ferguson, known for her fresh approach to programming and boundary-stretching performances. This engaging program of 17th and 18th century French vocal and instrumental works performed by some of the country’s leading Baroque experts is presented on Sunday, April 21, 3 pm, at Thousand Oak’s Janet and Ray Scherr Forum; Tuesday, April 23, 7:30 pm, at The Huntington’s Rothenberg Hall in San Marino; Thursday, April 25, 8 pm, at Zipper Hall in Downtown Los Angeles; Friday, April 26, 2024, 7:30 pm, in Hahn Hall at Santa Barbara’s Music Academy.

    Clérambault’s breathtaking cantata Pirame et Tisbé features acclaimed Grammy-winning Lebanese American tenor Karim Sulayman, whose voice is “pure heaven” (The Arts Desk). He also performs four works by Anne Madeleine Guédon de Presles, a French composer, singer, and actress, who in the early 18th century became the first known French woman to publish a collection of arias.

    Joining Ferguson and Sulayman are violinist Rachell Ellen Wong, noted for performances that are “scorching hot, accurate, and thrilling” (Broadway World) and the first Baroque violinist to receive a prestigious Avery Fisher Career Grant; harpsichordist Michael Sponseller, acclaimed for his “remarkable spectrum of sounds” (Cleveland Classical); Grammy-winning guitarist Stephen Stubbs, a leading figure in the American early music scene for three decades; and, on viola da gamba, Doug Balliett, a professor of baroque bass at The Juilliard School hailed for his “elegantly played” performances (The New York Times).

    The program opens with Third Suite in A Major from Pièces de Clavecin en Concert, Rameau’s adaptations of his keyboard works for chamber ensemble, and concludes with Telemann’s Paris Quartet No. 12 in E Minor, TWV 43:e4, a milestone of the chamber genre.

    Camerata Pacifica is renowned for its musical versatility and bold programming that demonstrate the limitless scope of the chamber music repertoire.

    “Camerata Pacifica Baroque: The French Dispatch” tickets ($75 at The Huntington, Hahn Hall and Zipper Hall; $80 at Janet and Ray Scherr Forum) are available at www.cameratapacifica.org or 805-884-8410.
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